Randy Holden "Population II" 1970

Randy Holden is one of the great unsung guitar heroes of Rock. A true devotee of the guitar, to him it was all about the music. He spent the first part of the 60's playing in surf band Fender IV and 60's psychedelic bands Sons of Adam and The Other Half. His most high profile gig was replacing Leigh Stephens on guitar in the legendary Blue Cheer. He played with Blue Cheer for roughly a year, although he only recorded on half of their severely disappointing 3rd album "New! Improved! Blue Cheer" before quitting the band. It seems he decided to leave the band partly because he was getting screwed by the label and/or management and partly because the rest of the band was more interested in serious partying than creating music together. The "New! Improved!" album clearly shows a lack of the musical fire and direction that made the first to albums, Vincebus Eruptum and Outsideinside, rock and roll classics. The lone exception being Randy's composition Fruit and Icebergs , which he re-did on Population II to devastating effect.
Leaving Blue Cheer in 1969, Randy ventured out on his own. Armed with 20 new Sunn amps and drummer Chris Lockheed, he rented an opera house and recorded the underground heavy rock classic Population II. This is a dark, heavy, brooding record that was ahead of it's time conceptually. This is proto doom metal with lots of overdubbed guitar parts. Mostly slow Sabbathy dark rock full of Randy's tasteful, gutsy yet restrained lead guitar. This record is all about the guitar. The guitars are up front in the mix over the drums and the vocals, but not so much that it ruins the record. Randy's got a great tough mid-rangey tone with his wall of Sunn amps and the mix is kind of cool because it feels like you're straining to hear his tortured vocals over the Guitar-zilla that is destroying history right in front of us. In fact the first song is entitled, what else but Guitar Song. Kicking the record off with a series of slow stoned guitar breaks, the first lyrics we hear are "I love the sound of a guitar playin'." Right on Randy! This song sets the tone for the album: Randy's vaguely Hendrix-like half spoken vocals, heavy duty rhythm guitar riffage and swaggering, wobbly, sustain-to-infinty soloing. The vocals definitely just serve as an excuse for rocking. The second song is the aformentioned "Fruit and Icebergs", an evil Sabbathy tritone-blues dirge complete with a spacey theremin-esque whammy bar guitar. Sandwiched between Fruit and Icebergs Parts 1 and 2 is Between Time which is probably the most accessible song on the record. It's a straight ahead rocker that picks up the pace a little.... just a little. It's only flaw is that it's way too short. Nebula did a genius cover of this song on their To the Center album. Then the Fruit and Icebergs monster from space is back for a brief violent reprise that leads us to the 2 final and best songs of the whole trip. Blue My Mind fades in with guitar chaos that you later find out was lifted from the end of the song and then goes into some serious lower mid tempo rock. Killer arena sized guitar fills and soloing on this one with the usual minimal lyrical content, build up to the chaotic multiple lead guitar ending. The album closer, Keeper of My Flame, has probably the fastest tempo of the whole album (which still is just a driving medium tempo). Tribal tom tom/bluesy war cry-guitar, heavy riffing verse and chorus lead up to a breakdown where the guitar solo starts. Just when it's about to really start rocking everything stops...another tribal war cry, then the kicking of the ass by guitar ensues over a Tales of Brave Ulysses groove that goes on for several minutes. Then when you think it's over out comes a half time, yes half time, version of the verse riff for more Sunn pyrotechnics. Sadly, the record label at the time failed to grasp the vision of the record and refused to release it. Then Randy's equipment manager joined in the screwing and sold off his gear and left Randy guitarless and bankrupt. For the romantic rock and roll idealist that he was, this was too much and he disappeared from the music world until the 90's. Somehow bootleg copies of the album were released, which is how it's underground cult status has spread. Hopefully at this point Randy is getting his due. I've heard people say they don't like this album because it's "too simple" or boring. Maybe to some. The riffs are not really complex and the tempos are all on the slow side, so it can seem kind of rudimentary, but there is no denying the high rocking factor here. The riffs kill (and are much heavier and forward-thinking than a lot of other stuff in 1969) and the soloing, while not full of lightning fast runs, is gutsy, well-hung arena rock guitar playing full of genius licks that you wish you had thought of. Compare this with Fruit and Icebergs from "New!Improved!" and you see that this is miles ahead. Much heavier guitar sound, more mature playing. Population II is firmly planted in the 70's, leaving behind the 60's, unafraid to be heavy throughout; without the need to try and make something work in the pop world. No need for the lightweight major key chorus or song. This probably why the record company shelved it. Where's the single? In an interview with Randy Holden that I read, he said in 1990 he listened to Population II for the first time since doing it and said "It's almost like quicksand, in a sense. It pulls you into it....but it's difficult to get back out." So true. It's great intriguing piece of work that really is unlike anything else. It's a tough album to find but well worth it. Check out a song at the Randy Holden myspace page at http://www.myspace.com/randyholdenpopulation.

Riff Density 8
Riff Caliber 8
Post Blues Factor 10
Groove Factor 7
Dig It 8